braaam

English

Etymology

Onomatopoeic

Alternative forms

BRAAAM

Noun

braaam (plural braaams)

A low, loud sound, originally produced by brass instruments and a prepared piano but sometimes made synthetically, included in film and trailer scores to increase audience stress
- 2015: "'Braaams' for Beginners: How a Horn Sound Ate Hollywood" by Seth Abramovitch, Hollywood Reporter
  Most agree that Hollywood's obsession with braaams began with a series of trailers for Christopher Nolan's 2010 film, Inception. But just who invented them is "a very, very, very touchy subject," according to Bobby Gumm, head of music for Trailer Park, the company behind such braaam-filled trailers as Mad Max: Fury Road and Mission: Impossible — Rogue Nation.
- 2016: "'BRAAAM!': The Sound that Invaded the Hollywood" by Adrian Daub, Longreads
  From Zimmer’s Batman scores, via the many knockoffs for the Marvel Cinematic Universe, to Marco Beltrami’s score for World War Z, the main ingredients — churning strings hectically repeating the same four- or five-note motif, with a BRAAAM dropping every so often — are both pulse-quickening and exhausting.
- 2017: "Why I’m Worried About the Running Time of 'A Cure for Wellness'" by Benedict Seal, Bloody Disgusting
  The ominous braaam, the sinister boardroom, the horrific imagery, the cloaked cult members, embryonic deformity, Jason Isaac’s German accent, mad scientists’ labs: it’s all very intriguing stuff… then I saw the running time.
- 2019: "Review: Audio Imperia Talos Volume Two: Low Brass" by Dave Gale, Music Tech
  Falling firmly into the aforementioned ‘braams’ category and far beyond, each patch is sample driven, being completely derived from the original recorded content, while allowing for real-time control of high- and low-pass filtering and EQ.

单词	braaam
释义	braaam English Etymology Onomatopoeic Alternative forms BRAAAM Noun braaam (plural braaams) A low, loud sound, originally produced by brass instruments and a prepared piano but sometimes made synthetically, included in film and trailer scores to increase audience stress 2015: "'Braaams' for Beginners: How a Horn Sound Ate Hollywood" by Seth Abramovitch, Hollywood Reporter Most agree that Hollywood's obsession with braaams began with a series of trailers for Christopher Nolan's 2010 film, Inception. But just who invented them is "a very, very, very touchy subject," according to Bobby Gumm, head of music for Trailer Park, the company behind such braaam-filled trailers as Mad Max: Fury Road and Mission: Impossible — Rogue Nation. 2016: "'BRAAAM!': The Sound that Invaded the Hollywood" by Adrian Daub, Longreads From Zimmer’s Batman scores, via the many knockoffs for the Marvel Cinematic Universe, to Marco Beltrami’s score for World War Z, the main ingredients — churning strings hectically repeating the same four- or five-note motif, with a BRAAAM dropping every so often — are both pulse-quickening and exhausting. 2017: "Why I’m Worried About the Running Time of 'A Cure for Wellness'" by Benedict Seal, Bloody Disgusting The ominous braaam, the sinister boardroom, the horrific imagery, the cloaked cult members, embryonic deformity, Jason Isaac’s German accent, mad scientists’ labs: it’s all very intriguing stuff… then I saw the running time. 2019: "Review: Audio Imperia Talos Volume Two: Low Brass" by Dave Gale, Music Tech Falling firmly into the aforementioned ‘braams’ category and far beyond, each patch is sample driven, being completely derived from the original recorded content, while allowing for real-time control of high- and low-pass filtering and EQ.
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