plunderphonics

English

Etymology

Coined by Canadian composer John Oswald in 1985 as a compound of plunder +‎ phonics in the essay Plunderphonics, or Audio Piracy as a Compositional Prerogative.[1]

Noun

plunderphonics (uncountable)

A form of musical composition based on the unauthorized use of existing audio recordings.
- 2007, Allan F. Moore, Critical Essays in Popular Musicology, Routledge
  Such a practice (which is autosonic, by the way) could be viewed as a “mega-editing” process; but I would like to draw a distinction between plunderphonics and edited versions, because the former clearly aim to denature the hypotext.

References

John Oswald (March 2015), “Plunderphonics, or Audio Piracy as a Compositional Prerogative”, in eContact!, volume 16.4, published 1985

单词	plunderphonics
释义	plunderphonics English Etymology Coined by Canadian composer John Oswald in 1985 as a compound of plunder +‎ phonics in the essay Plunderphonics, or Audio Piracy as a Compositional Prerogative.[1] Noun plunderphonics (uncountable) A form of musical composition based on the unauthorized use of existing audio recordings. 2007, Allan F. Moore, Critical Essays in Popular Musicology, Routledge Such a practice (which is autosonic, by the way) could be viewed as a “mega-editing” process; but I would like to draw a distinction between plunderphonics and edited versions, because the former clearly aim to denature the hypotext. References John Oswald (March 2015), “Plunderphonics, or Audio Piracy as a Compositional Prerogative”, in eContact!, volume 16.4, published 1985 Further reading plunderphonics on Wikipedia.Wikipedia
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plunderphonics

English

Etymology

Noun

References

Further reading