lobate style

English

Noun

lobate style (uncountable)

(art, historical) Synonym of auricular style
Synonyms: earshell work, Knorpelwerk
- 1961, J. W. Frederiks, “III. The Baroque Style. A. The Lobate Style. North-Holland. Amsterdam. Joannes Lutma Sr.”, in Dutch Silver: Embossed Ecclesiastical and Secular Plate from the Renaissance until the End of the Eighteenth Century, Dordrecht: Springer, DOI:10.1007/978-94-010-3662-7_3, →ISBN, page 45:
  Adam [van Vianen]'s suppleness is not only equalled, but even surpassed by [Joannes] Lutma. In fact, the lobate style, if it was not Lutma's invention, reached its highest perfection in his work.
- 1971, Hugh Honour, “Paulus van Vianen (c. 1568—1613)”, in Goldsmiths & Silversmiths (Great Craftsmen), New York: G. P. Putnam's Sons, OCLC 564111879, page 97:
  The auricular or lobate style, known in Holland as Kwabornament and in Germany as Knorpelwerk, appears to be the only ornamental style which was developed mainly by silversmiths and found its fullest and most notable expression in silver.
- 1993, Ellenor M. Alcorn, “58. Two-Handled Cup and Cover, London, ca. 1665, Gold, 60.534a,b”, in English Silver in the Museum of Fine Arts, Boston. Volume I. Silver Before 1697, Boston: Museum of Fine Arts. Distributed by Northeastern University Press, →ISBN, OCLC 883269607, page 137:
  The two-handled cup and cover by the Hound Sejant maker at Wadham College, Oxford, to which he compared it, shows a similar tentative application of the lobate style to an essentially English form.
- 1997, Zsuzsanna van Ruyven-Zeman, “Hendrick de Keyser: Draftsman and Designer of Stained Glass”, in Simiolus: Netherlands Quarterly for the History of Art, volume 25, number 4, DOI:10.2307/3780904, JSTOR 3780904, page 292:
  The ornament in this window comprises not only Netherlandish grotesque with its characteristic combination of strapwork and scrollwork but also classical motifs in the two friezes. The two empty cartouches in the lower register (fig. II) moreover herald an entirely new fashion, that of the auricular or lobate style.
- 2009, Natalie Zemon Davis, Deborah L. Krohn, Dutch New York Between East and West: The World of Margrieta Van Varick, New York: Bard Graduate Center for Studies in the Decorative Arts, →ISBN, OCLC 883269607, page 232:
  The smooth, kneaded, almost unfinished appearance of the heart-shaped relief ornament is reminiscent of the lobate style of relief decoration, known as kwabornament, which was popular in the first half of the seventeenth century.

单词	lobate style
释义	lobate style English Noun lobate style (uncountable) (art, historical) Synonym of auricular style Synonyms: earshell work, Knorpelwerk 1961, J. W. Frederiks, “III. The Baroque Style. A. The Lobate Style. North-Holland. Amsterdam. Joannes Lutma Sr.”, in Dutch Silver: Embossed Ecclesiastical and Secular Plate from the Renaissance until the End of the Eighteenth Century, Dordrecht: Springer, DOI:10.1007/978-94-010-3662-7_3, →ISBN, page 45: Adam [van Vianen]'s suppleness is not only equalled, but even surpassed by [Joannes] Lutma. In fact, the lobate style, if it was not Lutma's invention, reached its highest perfection in his work. 1971, Hugh Honour, “Paulus van Vianen (c. 1568—1613)”, in Goldsmiths & Silversmiths (Great Craftsmen), New York: G. P. Putnam's Sons, OCLC 564111879, page 97: The auricular or lobate style, known in Holland as Kwabornament and in Germany as Knorpelwerk, appears to be the only ornamental style which was developed mainly by silversmiths and found its fullest and most notable expression in silver. 1993, Ellenor M. Alcorn, “58. Two-Handled Cup and Cover, London, ca. 1665, Gold, 60.534a,b”, in English Silver in the Museum of Fine Arts, Boston. Volume I. Silver Before 1697, Boston: Museum of Fine Arts. Distributed by Northeastern University Press, →ISBN, OCLC 883269607, page 137: The two-handled cup and cover by the Hound Sejant maker at Wadham College, Oxford, to which he compared it, shows a similar tentative application of the lobate style to an essentially English form. 1997, Zsuzsanna van Ruyven-Zeman, “Hendrick de Keyser: Draftsman and Designer of Stained Glass”, in Simiolus: Netherlands Quarterly for the History of Art, volume 25, number 4, DOI:10.2307/3780904, JSTOR 3780904, page 292: The ornament in this window comprises not only Netherlandish grotesque with its characteristic combination of strapwork and scrollwork but also classical motifs in the two friezes. The two empty cartouches in the lower register (fig. II) moreover herald an entirely new fashion, that of the auricular or lobate style. 2009, Natalie Zemon Davis, Deborah L. Krohn, Dutch New York Between East and West: The World of Margrieta Van Varick, New York: Bard Graduate Center for Studies in the Decorative Arts, →ISBN, OCLC 883269607, page 232: The smooth, kneaded, almost unfinished appearance of the heart-shaped relief ornament is reminiscent of the lobate style of relief decoration, known as kwabornament, which was popular in the first half of the seventeenth century.
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